I work within controlled density and texture ranges to protect shoulder health and method consistency. My work begins wet, is refined through structured blow-dry, then precision cut dry—so I only accept hair that performs well with that process.

Yes—because my method isn’t based on curl type. It’s based on architecture.

The Scott Risk Precision Cut is engineered to work across straight, wavy, and curly hair (2A–3B) because it builds shape using movement logic, not curl dependency.

• It creates seamless movement through structured layering, not thinning or carving

• It corrects flat roots, triangle shape, and shelf layers

• It adapts to mixed textures in the same head—uneven curl patterns, straighter fronts, tighter underneath sections

• It builds proportion, balance, and longevity without removing necessary weight

• It works with natural texture—no curl cutting gimmicks, no trend techniques

• Same method, same result: shape that flows instead of collapsing after wash day

The result: Hair that moves—whether worn smooth, wavy, or in natural curls.

I work within controlled density and curl ranges to protect precision, consistency, and shoulder sustainability.

My method is a wet-to-dry architectural system—the cut begins wet to establish the foundation, is refined through structured blow-dry work to reveal weight distribution, then finished dry for precision carving and movement logic. Because of that process:

• I work with wavy to curly textures in the 2A–3B range

• I do not accept extra-dense or high-resistance hair types

• I do not perform detangling sessions

• I do not blow out hair that requires excessive force or torque

This isn’t about curl exclusion—it’s about method integrity and shoulder longevity. My process requires control, tension, and visibility, and I only accept hair types that perform beautifully and predictably inside this system.

I stepped away from color to elevate the quality and consistency of my work. Color requires long processing windows and unpredictable timing, which dilutes focus. I chose to specialize in haircut design—the foundation of everything.

My attention now goes entirely to:

• Architectural precision

• Balanced proportion and silhouette

• Movement logic and flow

• Longevity and controlled grow-out

• One-on-one craftsmanship without time pressure

This isn’t about doing less—it’s about doing one thing at the highest level possible.

Those systems cut hair by category. I cut hair by architecture. That’s the difference.

Other curl methods are built around curl type charts. They work predictably on medium-to-strong curls, and they fall short on hair that lives between wave and curl (the group most women fall into).